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The course goes deep in guiding students through the methods of learning how to sight sing more fluidly by mastering intervals and grasping harmony and chord theory, and offers tips and surefire strategies for making audition cuts (or dealing with cuts when they’re made on the fly!).

You’re probably well aware of SoundCloud by now, but its widget feature is worth mentioning. Because SoundCloud is completely free and typically reliable, it’s the perfect place to host music over your site. Yes, you’ll lose some royalty money by not linking up to your Spotify or Apple Music account, but going with SoundCloud is the best option because it doesn’t force those visiting your site to sign up with yet another service. Plus, it’s essentially social media for track releases.

Our beloved Q-Town is becoming an in-demand stop for worldwide touring acts, performing at the city’s most iconic venues, such as Burt’s Tiki Lounge and the Sunshine Theatre. But those are just a few of the many wonderful venues here. In order to fully appreciate Albuquerque sonically, you have to be creative in your efforts. Here are some of our favorite spots!

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You knew this was coming. But you know what, we’re proud of our humble blog, Flypaper. Here you can read about almost every single aspect of music-making, as well as deep dives into music history, production tutorials, interviews, photo essays, tour diaries, etc., and from literally the best music writers on the planet! And if you really want to keep up to date, make sure to sign up for our weekly newsletter, the Soundfly Weekly, and learn something new every Tuesday without leaving your inbox.

Writers like Scheibe attacked Bach’s in-depth use of musical theology, along with his general style, accusing him of “too much art.” Writing in Bach’s defense, his friend Birnbaum countered that “God is a harmonic being.” For Bach, composing was “not an act of free creation but… imaginative research” leading to a “musical science that seeks ‘insight into the depths of the wisdom of the world’” (Wolff, Bach: The Learned Musician).

This Weezer tribute is a true chiptune classic. The lo-fi synth medium really helps emphasize the band’s knack for coming up with poppy, catchy, melodic rock hooks.

Joseph: Emily’s music drastically improved when she started to use the higher quality samples and sounds that Logic Pro offers. She learned the foundation of Logic in Soundfly’s Intro to Making Music in Logic Pro course so that she can now transfer her compositions into fuller productions.

Before you think about production or even buy a microphone, you must first create a plan for your episode structure. Will you have an intro and outro? Is there music? How are you licensing that music? Will there be segments or is it one long interview or monologue?

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Jeremy is a Montreal-based musician, sound artist and improviser who loves giving advice to emerging artists on how to make their tours more effective. He writes, records and performs electroacoustic “concrète” music for tape, oscillators and amplified objects and surfaces, as well as solo guitar. He has performed and released material throughout Europe and the UK, Asia, the US and Canada, mostly with his trio Sontag Shogun.

Here’s Dr. Ericsson again: “You have to know whether you are doing something right and, if not, how you’re going wrong.” The good news for us musicians is that practicing music has a built-in feedback mechanism — you can generally hear it when you play something wrong, even more so as you get better or if you record yourself playing. This is different from say learning a language in a vacuum where you would have no idea if your pronunciation was right or wrong.

NBS uses a variety of data gathering processes to determine these metrics, but they synthesize everything into handy charts and models so you can better understand your fanbase in real time. This includes data from your Facebook, Instagram, and Twitter pages, YouTube/Vevo views and activity, Pandora spins and references, and more.

Jeremy is a Montreal-based musician, sound artist and improviser who loves giving advice to emerging artists on how to make their tours more effective. He writes, records and performs electroacoustic “concrète” music for tape, oscillators and amplified objects and surfaces, as well as solo guitar. He has performed and released material throughout Europe and the UK, Asia, the US and Canada, mostly with his trio Sontag Shogun.

Soundfly welcomes new voices each month to offer unique perspectives, shine a light on unexpected musical worlds, and help our readers find their sound.