Building confidence and shaking self-doubt is a process. It takes time and patience. Start with altering your thinking, altering your actions and reactions, and soon your feelings will follow. Don’t quit! Doing so would be denying your passion, and robbing the world of your sublime singing. And that’s just selfish — we can’t have that. Keep at it.
We must realize that Ligeti was working in the Hungary, in (almost) total isolation from the rest of the continent, where Schoenberg, Berg, Webern, and later Boulez and Stockhausen were using serial techniques to find a way to detach modern music from the “tyranny” of the Western tonal system. Ligeti approached the same problem from an apparently antithetical standpoint (using one note instead of a fixed series of twelve pitches), yet focusing on the other parameters of music in order to create direction and growth.
Any permutation of the I, IV, and V chords from a key is going to sound good, and every permutation has been used many thousands of times over (especially when it’s in the 12-bar-blues form).
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It’s often the case that in concert and in these symphonic works designed to highlight the theremin, we’re really able to hear its full range and expressive potential. So we’ve picked out five pieces from modern 20th century composers (some of which were written to accompany film) that have helped define the use of this instrument in a variety of capacities.
We live in an exciting time for music. Now more than ever, independent musicians can create, release, and earn from music while maintaining full ownership. Gone are the days when a handful of tastemakers and big businesses decide who’s in and who’s out. We, the people — the producers, the songwriters — now have the ability to “place” our music on digital “shelves” where real consumers can listen to that music and thus support the continued creative process.
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Try writing in a journal or on your computer as a continuous stream-of-consciousness for an hour. Don’t bother “evaluating” what you write, and don’t make any edits or changes — just focus on writing as fast as possible. It can help to write in a “free verse” style with lots of line breaks. While this can help you generate lines and lyrics, most often this can help you come up with “big ideas” or things you think are worth spending more time on. Which brings me to my next point…
All of our mentored online courses come with six weeks of 1-on-1 professional coaching and feedback on your work. It’s like having a personal trainer, but for music! Whether you’re interested in diving deep into a production-related topic like Modern and Advanced Mix Techniques, Songwriting for Producers, or Making Music in Logic Pro X, or just in working with a Soundfly Mentor directly to achieve a musical goal specific to you, we can help you get there!
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“To B, or not to B.” That is… not a question this year, because none of our songs were in the key of B! It was E♭— minor, specifically — that was our huge winner this year (black keys on the piano in general, really), with low showings for the keys of D and E, once again proving that nobody writes Top 40 pop songs on their guitars anymore.
Ian is a pianist, entrepreneur and professional musician. He started Soundfly to help people really find what gets them most excited musically and pursue it. He’s toured all over the world with his experimental trio Sontag Shogun. Check out his most recent course Building Blocks of Piano or follow him on Twitter at @ianrtemple.
Here’s the thing about the bariolage section, then: Bach goes ahead and uses all the wrong notes. They’re all surprising, but the most surprising one is E♭, the most dissonant possible note in the key of D minor. That would be a bold choice even now. In Bach’s more conservative context, it was unheard of. But the bariolage doesn’t sound wrong at all. Bach carefully organizes all those chromatic notes so they all sound perfectly logical and inevitable. They sound richly strange, but certainly not wrong.
If you’re a regular Soundfly visitor, you probably already know how much we love chiptune music. Richard Lewis is the founder of the British music blog Chip! Bit! Sid! as well as the annual 8-bit music festival Chip Bit Day held in Manchester.
One of the most valuable skills a musician can have is being able to identify musical intervals by ear. Once you can comfortably pick out musical intervals as you hear them, you are officially on your way towards the upper echelons of musical ability. But, let’s step back for a moment. What is an interval?